varvara stepanova art

Working under the pseudonym “Varst” or “Agaraykh”, she was one of the founding members of Russian Constructivism, a movement that rejected art for the sake of art in favour of a functional and practical art. Her artistic path began in 1910 at the Kazan School of Art where she met Alexander Rodchenko, a student of that same school, who became her life-long companion. Attributed to Varvara Stepanova (1894-1958, Russian). World of Art has a lovely collection of Varvara Stepanova's work available. – Having become an apologist for the “production workers”, she collaborated with a chintz factory (created drawings for cliches), the Meyerhold Theater (designed costumes and stage furniture), a number of avant-garde (LEF, New LEF) and professional magazines. Varvara Stepanova, Charlie Chaplin, 1922 (1990-1995) MACBA Collection. Lavrentʹev Aleksandr Nikolaevič, Varvara Stepanova, une vie constructiviste, Paris, P. Sers, 1988, Lavrentʹev Aleksandr Nikolaevič, Varvara Stepanova, Moscow, S. Gordeev, 2011, Rodcenko e Stepanova, alle origini del Costruttivismo, Palazzo dei Priori, Palazzo Cesaroni, Perugia, 14 April – 12 May 1984. Available for sale from Howard Schickler Collection, Varvara Stepanova, Two Figures (1919/1995), Linocut or Woodcut, printed from the original block 1995, … Avant-garde, multi-talented, and cutting edge all serve to define Varvara Fydorovna Stepanova. “Nothing besides painting exists.” Both series were first shown in Moscow in April 1919, in the 10th State Exhibition: Non-Objective Art and Suprematism. In 1924, she became involved in the creation of new fabrics for the first Soviet printed cotton factory, designing structures and patterns to fit the function of the piece of clothing they were intended for. She entered the avant-garde circle of artists at the peak of their activity. You may be more familiar with her husband and comrade Aleksander Rodchenko, but Varvara had an successful design career in her own right, and is best known for her textiles designs and theatrical costumes and posters. Beautifully reproduced on Quality 250gsm Gloss Art Card. Dancing figures on a white background Dancing figures on a white background. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and … Joining the constructivist movement, Stepanova did not give up figurative easel painting and, as a result, occupied a special very individual niche in this art movement. Stepanova, like Rodchenko, was somewhat younger than the other artists of their group, Mediums: oil, canvas. Mediums: oil, canvas. Varvara Stepanova’s works are full of original humour and fun. The artist preferred to use rather geometric forms than the philosophy of this artistic language. Varvara Fyodorovna Stepanova was born in Kovno, Russia, now Kaunas, Lithuania, on the 23 rd Oct 1894. Within these institutions, she occupied high-ranking positions. Varvara Fedorovna Stepanova was born on 5 November 1894 in Kovno (today Kaunas) in Lithuania. Varvara Stepanova was born in a peasant family in Kovno (Kaunas), Lithuania. Text in Russian, lower right front, translates to an abbreviation of St. Petersburg. She created a large number of posters with A. Rodchenko, some of which included verses by Vladimir Mayakovsky; they also produced several volumes of propaganda photography, including Pervaya Konnaya [First Cavalry, circa 1937], which were presented at the New York World’s Fair in 1939. Find artworks by Varvara Stepanova (Russian, 1894 - 1958) on MutualArt and find more works from galleries, museums and auction houses worldwide. One of her classmates was Alexander Rodchenko who would … With a view towards standardisation – a principle valued by Constructivists – she hoped to create ideal clothes for each trade. Varvara Fyodorovna Stepanova was born to a family of civil servants and in 1910 enrolled in the Kazan Art School, where she met her future husband and artistic collaborator Alexander Rodchenko. Location: The Thyssen-Bornemisza National Museum, Madrid (Spain). Mediums: oil, canvas. The image is tagged Interior Design and Pattern. Artists Liubov Popova and Varvara Stepanova entered into the new world for women in post-Revolutionary Russia as designers for a new way of life for the liberated woman. In 1912 she moved to Moscow where she attended the Stroganov School … Stepanova, Varvara (1894–1958)Innovative post-revolutionary Russian artist, graphic designer, textile designer, and theater designer. A dynamic and brave artist, she truly believed in a better future despite the material difficulties she faced on a daily basis. In addition to this, she designed the new constructivist sets and costumes for Sukhovo-Kobylin’s play The Death of Tarelkin in 1920–1922. Get started. Sell art from your collection. Stepanova was an artist who had many wheel houses: graphic design, manuscript design, set design, textile design, and painting, all of which served to help her rocket to the front line of constructivism in the U.S.S.R. Signed in Russian cyrllic Stepanova on the lower right corner. There she met her later husband and collaborator Alexander Rodchenko. Jean-Michel Basquiat Plaça dels Àngels, 1. The Soviet fashion designer Varvara Stepanova, born to a peasant family in 1894, was one of the greatest creative forces of the revolutionary years. Dec 28, 2015 - Explore Alex Armitage's board "Varvara Stepanova", followed by 284 people on Pinterest. She was born into a peasant family, but attended the Kazan art school, an achievement which … Varvara Stepanova. Get notified when Varvara Stepanova's biography is complete: Collaborated with the Institute of Artistic Culture, presented his paintings at the 19th State Exhibition in Moscow, was one of five participants in the «5 × 5 = 25» constructivist exhibition. Unsigned. Her self-ironic approach differs from the chilly, analytical art of her husband. Varvara Stepanova on ArtStack - art online c1910-11 studies at the Kazan School of Art, Odessa, where she meets Rodchenko whom she subsequently marries. Mediums: oil, canvas. But beneath the jaunty new outfits and the vivid fabrics was the actual lived existence of real women. Studied at the Kazan Art School for three years (she did not complete the course). My Feed Buy Art Exhibitions Add Artwork Sign Up | Login. She started to experiment with phonetic abstruse poetry. In 1910 she entered the Kazan Art School, where she met Rodchenko, her future husband and life-long colleague. It lives in a private collection. Location: The State Regional Art Museum of Irkutsk (Russia). MACBA Consortium. She was born into the family of an official who soon moved from Lithuania to Kazan; she showed her ability to draw from childhood. Helped to create illustrations for the books of A. Kruchyonykh (“Gli-gli” and others). Thus, she became a creator of a new creative genre known as “visual poetry”. Moved to Moscow, studied at the studios of K. Yuon and I. Mashkov for two years. +33 (0)1 55 26 90 29. Exhibited her paintings at the State Exhibition “Pointless Creativity and Suprematism” in Moscow. She started teaching students as a professor at the Higher Artistic and Technical Workshops, collaborated as a designer with a print factory, completing more than 150 designs for fabrics. She was influential as member of the group of artists that worked in the Russian avant-garde movement … Still at school she bought herself a Singer sewing machine, worked as a seamstress and learned dress design. Varvara Stepanova, who stood at the forefront of these changes along with her husband Aleksandr Rodchenko, had this to say about the new art necessitated by the new regime: “Constructivism”—the name that Stepanova and her fellow travelers gave to the new art—“is movement away from representation and contemplation … In Moscow, she began to collaborate with Vs. Meyerhold theater, designing constructivist decorations and creating unique costumes for the production of “Death of Tarelkin”. Started cooperation with the «LEF» magazine, then co-worked with the «New LEF». Consign with Artsy. Feb 1, 2016 - Explore Bahare Soltani's board "Varvara Stepanova" on Pinterest. One of the five main “Amazons of the Russian avant-garde” actively created a new world through art. Alexander Rodchenko and Varvara Stepanova on ArtStack - art online. Together with Rodchenko, she designed a number of photo albums, including “Uzbekistan”, “Moscow Metro”, “Cinema”, “The 300th Anniversary of the Reunification of Ukraine and Russia”. Varvara Stepanova and Alexander Rodchenko. Filter by auction house, media and more. Sukhovo-Kobylin, «The Death of Tarelkin», Stepanova was a “designer”, and S. Eisenstein was a laboratory assistant (that was written on the poster). The view from the window (with the airship) The view from the window (with the airship). Browse upcoming auctions and create alerts for artworks you are interested in. Avant-garde art, expressed most widely … Stepanova began her art training at the Kazan School of Art in 1910. Varvara Stepanova was a Russian artist assocated with the ‘Constructivist’ movement. She was evacuated together with Rodchenko and their daughter Varvara to Urals, the city of Ocher, Perm Region. The works of Stepanova are in many leading museums of the world, including the Museum of Modern Art in New York, the State Tretyakov Gallery in Moscow and the Thyssen-Bornemisza Museum in Madrid. The production of costumes and drawings for fabrics became Stepanova’s “calling card”. I try to think about life. Location: The Museum of Modern Art, New York (the USA). Varvara Stepanova, Varst, Agarykh, V. F. Stepanova, Varvara Rodchenko, V. F. (Varvara Fedorovna) Stepanova, Warwara Stepanova, Варвара Фёдоровна Степанова, Varvara Fyodorovna Stepanova Date of birth 1894 Date of death 1958 As a result of the four-year struggle, she achieved Rodchenko’s membership in the Union of Artists of Moscow (he was expelled from there for formalism in 1951). Modern and contemporary art Stepanova, The Results of the First Five-Year Plan Google Classroom Facebook Twitter Location: The Pushkin State Museum of Fine Arts, Moscow (Russia). A year later, Stepanova was an artist of the film “Breakaway”, collaborated with the magazines “Soviet Cinema”, “Change”, “Modern Architecture” and others. Resolutely focused on the future, she actively collaborated with the new Soviet state, taking part in the creation of its main artistic institutions – INKhUK (“Institute of Artistic Culture”, founded in 1920), IZO (“Department of Fine Arts” of the Narkompros, created in 1918), Vkhutemas (“Higher Art and Technical Studios”, founded in 1920). There she met her future husband, Alexander Rodchenko – the spouses were colleagues and like-minded people during the next 40 years. In the avant-garde magazine New LEF, she published an article, the content of which expressed her conviction that costumes and dresses should be not decorative but comfortable and functional. In this magazine, the artist published her article “Today’s Suit – Overalls” under the pseudonym Warst; in that magazine, it was proposed to consider convenience and functionality instead of decorativeness. The artist died on May 20, 1958 in Moscow, USSR. – Having studied at the Kazan Art School for three years, Varvara Stepanovna met A. Rodchenko and accepted his “symbols of the latest creative faith». Her eclectic career makes her particularly hard to categorise. Textile Design is a Constructivist Gouache Painting created by Varvara Stepanova in 1924. Photomontage from "First Cavalry", 1936–1937 Sale Date: November 20, 2018. By her 20s, she was already a central part of the Russian avant-garde, alongside the poet Vladimir Mayakovsky, the abstract painter Olga Rozanova and the cutting-edge … She worked as an art editor in the magazine “Kinofot”. Varvara Stepanova was a Lithuanian Female Artist born on November 9, 1894. Notable Works. Together with A. Rodchenko, she created monumental panels at Moscow institutions. 29.5 x 19 cm (11.6 x 7.5 inches). In the years before the Russian Revolution of 1917 they leased an apartment in Moscow, owned by Wassily Kandinsky. Varvara Fyodorovna Stepanova was born to a family of civil servants and in 1910 enrolled in the Kazan Art School, where she met her future husband and artistic collaborator Alexander Rodchenko. Varvara Stepanova. See more ideas about Russian constructivism, Constructivism, Russian art. Her works were exhibited at the International Exhibition of Decorative Arts in Paris. Mediums: oil, canvas. She began working at the College of Fine Arts of the People’s Commissariat of Education.

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